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Wicked
To class a musical as the best thing since Les Miserables is quite a statement but i have to say... I'd go and see it again in a flash and i plan to in the new year! The impressive machanical dragon hanging above the stage,that greets you into the theatre itself sets the scene for a fantastic adventure of wizardry! The prodution itself is amazing to watch... if anything.. there was too much to watch which is why i need to go back as soon as possible to see it again! Idina Menzal was fantastic... her stage presence is perfect to take on the leading role from her broadway performance as 'Elpheda' and her voice was truly amazing. I left the theatre wanting to order my ticket for the following nights performance and i must have held my composure to burst into tears all the way back to the hotel before breaking down in the lift. The songs had a hidden meaning for me and the story was very clever in the way it showed how someones appearance or equality can be disriminated against when judged by the magority. In the case of the Witch... the colour of her skin. All in all, i have to say that this musical truly is WICKED!

By: Paul brierley

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Les Misérables
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Wicked
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The Phantom of the Opera
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The Lion King
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Blood Brothers
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Cabaret
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Blitz!


Blitz!Blitz! is a musical by Lionel Bart. The play, described by Steven Suskin as "massive", was set in the East End of London during the Blitz (the aerial bombings during World War II). The story drew on Bart's childhood memories of London's Jewish East End during the Blitz and, like most musicals, centered on a romance between a young couple, in this case a Jewish woman and a Cockney man, although the largest role and main point-of-view character is that of Mrs. Blitztein, the young woman's mother. Steven Suskin describes it as "Abie's Irish Rose set against the burning of Atlanta." Bart himself described the play as "…three human stories inside an epic canvas; the major human conflict—the major plot—personifies the spirit of London and how that spirit developed during the period of the piece."

Blitz! opened in London 8 May 1962 at the Adelphi Theatre, while Bart's enormous West End success Oliver! was still running at the New Theatre; at that time Oliver! had not yet been produced on Broadway. It ran for 568 performances. It never ran on Broadway: between its scale and the fact that New Yorkers could hardly be expected to share Londoner's nostalgia for the period, it proved "unexportable". The Royal Shakespeare Company's intended 1990 revival (for the fiftieth anniversary of the Blitz) never happened, although the National Youth Theatre did revive it in the West End at the Playhouse Theatre, which became basis for a touring Northern Stage Company revival starring Diane Langton as Mrs. Blitztein.

Bart wrote the music and lyrics, and directed the production himself; Joan Maitland contributed to the libretto. Sean Kenny designed the elaborate sets, which included representations of Victoria Station, Petticoat Lane, and the Bank underground station, not to mention London on fire during an air raid. Four revolving house units and an enormous, mobile overhead bridge carried on two shifting towers made it, at the time, the most expensive West End musical ever produced. Noel Coward called it "twice as loud and twice as long as the real thing."

The song "The Day After Tomorrow" was specially written by Bart for Vera Lynn. Lynn had been a star at the time of the German bombing attacks; in the play, the characters listen to Lynn sing it on the radio while they shelter underground. Lynn did not actually appear onstage during the production, but she recorded the song for it, and the production used her recording on the "radio". The play also makes use of a recording of a Winston Churchill radio speech.

The role of Mrs. Blitztein was played by Amelia Bayntun in the original cast; it was her only role in a stage musical.

The cast included a large number of children. There is a scene in which the children are to be evacuated from London; they cheerfully sing "We’re Going To The Country", while their mothers try to put on a cheerful face.

A revival production of Blitz was put on at the Queens Theatre in Hornchurch in 2000 including members of the Queens Theatre's own youth groups playing many characters alongside the resident cast.
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Reviews:

Performing and Watching Blitz
By Harriate Riddle, June 10th 2008

I performed Blitz last year with a theatre company in devon. I had such fun doing it and the songs, dances and effects are still stuck in my head. It's a shame more people don't perform it as it truly is a fantastic Musical. It's a shame Oliver came out around the same time and out shone it.
Anyone who loves bart's or musicals should really either perform or watch this. It's bound to pull in an Audience we were full every night.



blitz
By brian walker, April 15th 2008

I saw BLITZ at the adelphi theatre during the early 1960s, over 40 years ago and it still sticks in my mind as a most amazing theatrical experience, I can still see those buildings burning on stage and the enormous explosions as the bombs went off smoke and flames everywhere. The sets and special effects were spectacular there was even a convincing impression of an underground train thundering across the stage. The whole thing was made more enjoyable by the fact that LIONEL BART was sitting in the seat in front of me watching the show himself.




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